COP21 Paris: Recap # 4

I was thrilled to hear yesterday that leaders from the nearly 200 nations assembled in France for the COP21 were able to finalize a new global climate agreement that will ostensibly limit greenhouse gas emissions to prevent temperatures from rising more than 2 degrees C (3.6 degrees F) by 2050. It is not as strict or encompassing as many nations and climate activists had hoped, but it is a hopeful start to moving towards plans to prevent temperatures from rising more than 1.5 degrees C (2.7 degrees F) and limit other devastating changes in the climate such a sea level rise, storms, droughts, and flooding. Many of these climate impacts will continue to be felt, but this treaty is the first step towards making all nations more accountable.

____________________________________________________

Below, I continue with my recap of my activities in Paris during the first week of the COP.

Day 5-6: Wednesday – Thursday, December 2nd – 3rd

These two days I was involved in the second of the three “Creative Factory” workshops that were organized by Place to B during this first week of COP21:

  1. Dismantling the Buying Imperative: Getting to grips with behavior change and identity
  2. The Balm of Nature: Reconnecting with the wonder and healing power of the natural world
  3. Invoking the spirit of change: Harnessing the power of spirituality, and broadening the engagement with faith-based communities.

Also held that week were a Transformational Media Summit –a workshop focused on talking about ecology with media professionals and an Urban Gardening Workshop that crafted some garden boxes out of recycled palettes and installed them around Paris.

The Place to B’s theme for Day 4 was What is the role of technology in changing the world? We need to scale up decarbonization with major Research, Development, Demonstration and Diffusion efforts (RDD&D) to develop low-carbon technologies and ensure their availability and affordability.

And for Day 5 it was How to reconnect with our human nature? What if we remember how it was when we lived in harmony with nature? What if we were reconnected to the earth, the biodiversity, the seasons? How can we recreate such a harmony? Is it possible?

 This latter theme fit in well with what we were trying to accomplish in the Balm of Nature workshop I participated in on Wednesday and Thursday. After several engaging and informative presentations by some of our co-pilots (David Holyoake and Chris Aldhous) and a few guest presenters (see photos below), we divided up into three groups. Our mission? To create projects that would reconnect people with nature.

My gang of four (myself plus fellow American Scott Shigeoka along with Eve Demange and William Tan, both from France) decided to create a card game. After a lot of brainstorming and planning we chose to name it WILD – to play with the double entendre of having a wild and crazy time but also to reference wildlife. Initially, we thought of our target audience as youths, ages 15-25 years old. But, after playing a test round with our co-pilots, we realized that everyone who played, from those in their 20’s to 50’s, seriously enjoyed it.

monastra_151203_8336-2

Notes from our brainstorming session on Day 1 of the Balm of Nature workshop

The game has two sets of cards – ones with the red WILD logo list daily rituals or activities that everyone around the world does and the blue ones list natural elements. A dealer turns over one of each card and the teams of two have one minute to share a memory or create a story to tell their partner using those two words. When the time is up a spinner is spun and whomever it points to has to share their story with the group. To spice things up there are several WILD cards in the deck that up the ante on the story-telling (for example: sing your memory or hop on one foot while sharing your story).

monastra_151203_8333-2

Our prototype cards

At the end of the second day, all three groups shared the results of their projects with the rest of the workshop participants (Click on the thumbnails to see the pictures larger):

When it came my team’s turn to share, we decided to vamp it up a bit, so we came dancing in to the song, “Wild Thing” by the Troggs. And since it was happy hour, my team bought a round of beers for all who played. (Note: If all players are of legal drinking age, we recommend making it a drinking game since it helps loosen people up a bit to share.) We still have a few kinks to work out in the game, but based on the response we got it seems to be fulfilling our wildest dreams of helping folks reconnect with nature and create a stronger sense of community.

monastra_151203_4860

Some of our workshop co-pilots playing “Wild” during our test run.

My teammates and I decided we liked the physical card game but recognize that if it was an online game it might draw a younger audience and create its own community that way. We envision there being a WILD gamer community and WILD parties. I am bringing our first run of the game home with me to test with my own students and see if our initial target audience of “today’s youth” shares the same enthusiasm for the game that our climate activists had. We were all asked to sign a creative-commons agreement that will allow our projects to be adopted and adapted by anyone who wishes to utilize them. Scott set up a Facebook page for the game so you can find the cards and instructions there! So go get your WILD on!

Days # 6-7: December 4-5th

monastra_151204_4918

Outside the climate negotiations pavilion, these pillars featured flags of the nations participating in the COP21 talks.

Although I was glad I was able to participate in the Balm of Nature workshop, I was anxious to go out to Le Bourget to see where the actual COP21 was being held and to check out the “Climate Generations” Pavilion. Since Place to B, where I was staying, was close to Gare du Nord, it made the trip up to Le Bourget very easy: just a short train ride and then another 10 minutes on shuttle buses provided for the COP.

monastra_151204_4928

A cool “abre a vent” or wind tree near the entrance to the COP21 buildings. Its “aeroleaves” spin to collect wind which is transformed into electricity. Unlike traditional wind turbines, its operation is completely quiet … and quite mesmerizing too. (Created by New Wind)

The cloudy skies that had been lingering all week had finally cleared, making it a gorgeous day for my expedition. I was hoping I might get to at least peek into the building where the negotiations were happening but as there were staff checking IDs and armed police were all around, I decided this would not be the time to try to push my luck.

monastra_151204_4936

A slightly surreal tableaux outside the Climate Generations Pavilion.

 

All week I felt attuned to the presence of the police in Paris. Even when safely inside Place to B, with some frequency, I heard sirens out on the street. I wasn’t sure if their presence made me feel more safe or more uneasy.

Unlike the building where the negotiations were being held, the Climate Generations Pavilion was free and open to the public. Three exhibition halls housed booths by over 100 organizations such as UNESCO, The Climate Reality Project (for which I am a trained Climate Leader) The Environmental Defense Fund, The Sierra Club, The Global Ocean Forum, and Birdlife International. Many cities from around the world also had booths touting their “green” economies. And, other special-interest groups, such as The Indigenous and Tribal Peoples of Suriname and Women and Gender Constituency, were represented as well.

In between these three main halls were side rooms where presentations, exhibitions, and screenings were held. In the middle of the building, a wide main corridor contained a work area for journalists, a pedal recharging station, a booth that had a twister game set up, and a place to have your picture taken with a styrofoam #COP21 sign.

One of the things on my agenda that day was to stop by the booth run by Ecolise – “a coalition of organizations engaged in promoting and supporting local communities across Europe in their efforts to build pathways to a sustainable future.” I had met some of the Ecolise members at the International Permaculture Conference in the UK that I had attended and exhibited my photographs at in September. It was at the IPCUK that I met Gil Penha-Lopes who along with Tom Henfry were writing a book, Permaculture and Climate Change Adaptation, that they were hoping to have ready for the COP conference. They asked if they could use some of my Witness Tree photos in the book. I was very happy to support their efforts and even more pleased to see the published book available at their booth. It is a well-crafted and informative book featuring over a dozen of my photos!

monastra_151204_4961

Although there were many engaging exhibits at Climate Generations, and I met many interesting people, I found the overall atmosphere to be a little flat. I had felt much more energized by the vibe and activities at Place to B. So after several hours of wandering around the pavilion, I decided to head back to Paris. I wanted to rest up before heading out to La Recycleria, a hip hangout spot that was hosting performances by youth activists that evening and on many other nights during the conference weeks.

Day # 8: Saturday, December 6th

I knew there was a gathering of Climate Reality Project Leaders back out at the Climate Generations Pavilion, but I was feeling that I had spent too much time indoors and I was eager to walk around the city, see some more climate exhibitions, some art, and meet up with a friend from my travels for a cup of tea too.

My first stop was a special climate exhibit at de L’Hotel de Ville featuring displays about eco-energy projects from around Paris. I had wanted to try to visit some of these sites in person, but with limited time, I figured this was one way to learn about some of these green projects in one location.

Upon seeing this “Generous Tree” (below) I was wishing I had a front yard to “plant” either the “wind tree” I saw at Le Bourget or this one whose solar panels are said to provide me with “wellbeing, connectivity, and conviviality.” I wonder if my co-op board would replace the tree that used to be outside my back window but was felled by a severe storm with one of these? Surely the whole apartment building would benefit.

monastra_151205_5043

monastra_151205_5045.jpg

Next stop was Ice Watch – an installation by artist Olafur EIiasson and geologist Minik Rosing. It was originally scheduled to be at la place de la Republique but was moved to the plaza in front of the Pantheon after the terrorist attacks in November. The artwork consisted of 12 icebergs that had been harvested from the sea outside Nuuk, Greenland and were arranged in a circle like a clock. The installation was created so that the ice would slowly melt as the clock of the climate negotiations was ticking.

Even though I have been to both the Arctic and Antarctic and seen very large icebergs in person, this was still a magical experience. I especially enjoyed watching the expressions of the children as they interacted with the ice and were told some facts about the ice (80 tons of it!) and climate change by some of the Ice Watch guides.

After getting all chilly with the icebergs, I was ready to warm up.

I met my friend monastra_151205_8446Kathyrn Hudson for tea at Mariage Freres in the Marais – one of my favorite neighborhoods. If you have ever been to Paris – you know what a treat it is to have high tea there. And, if you haven’t been, you should put it on your list of places to visit when you next visit Paris.

I first met Kathryn in Hawaii when I was traveling during my 2011-12 sabbatical – doing the majority of my work on The Witness Tree.  I felt like I had come full-circle in filling her in on what had happened to the  project since we’d first met. It was good to reconnect with her after so long and, of course, the tea was delicious.

My last stop for the day was at Le Centre Georges Pompidou. As this was my last day in Paris, I couldn’t leave without sampling at least a bit of its wonderful museums – several of which had special exhibits to coincide with COP21. I had gone to the Palais de Tokyo earlier in the week with my two roommates to see Exit – an amazing video project created by Diller Scofidio + Renfro (and others).

monastra_151203_8357-2

A piece primarily about migration, it was originally created in 2008 but was updated to be screened during the climate conference. I found this video of it online but it doesn’t quite convey the powerful experience I had of sitting in a large, dark, circular room as its astonishing statistics unfurled on the long semi-circular screen  – both enveloping and implicating you in some of the sad facts of today’s world.

Although Centre Pompidou had some pieces that were selected to coincide with the COP – such as this installation by Thomas Hirschorn, Outgrowth (2005),

monastra_151205_8502.jpg

I spent most of my time there looking at a photography exhibit and film about Cuba by Agnes Varda, installations by Dominique Gonzalez Foerster and paintings / drawings by Wilfredo Lam.

My favorite exhibit, however was a long table full of tiny houses made of small colorful candles. Created by Chinese artist Chen Zen, the project entitled Beyond the Vulnerability was created in 1999 with children of the favelas he was visiting in Brazil. Although this exhibit was not one of the ones selected for the COP activities, to me, it has strong references to the climate crisis. monastra_151205_8477.jpg

A statement said that Chen Zen built these to reflect on the “precarious character of favela homes and the shimmering luminosity of Brazilian baroque architecture.” But, I was thinking, that if the government negotiators had not reached a global climate agreement, we may as well all be living in wax houses which would melt with global warming or be knocked down by increasingly severe storms or rising sea levels. We are not “beyond vulnerability” as some Americans and too many of our politicians seem to think.

monastra_151205_8479

Chen Zen states about his work: “I’m looking for a language through which I can engage with the source of the Universe and the heart of the human.” I agree with his goals, and I hope that through my on-going work with my Witness Tree project, that I can affect the minds and hearts of my audiences to think about our collective impact on our world.

COP21 Paris: Recap # 3

Day 3: Monday – November 30th

Each day the creative minds of Place to B asked us to focus on a different message. Sunday’s topic was B the message and asked us to consider: Why doesn’t the environmental message come across? How can we involve citizens in changing the climate? How can we refresh the climate and rewrite the story?” I felt this was a theme that ran throughout much of the week as different groups met in the “Creative Factory” to work on various projects aimed at rewriting the climate narrative to be more effective.

And on this Monday the theme was, How shall we learn from the past? We were asked to take a look at the past, at the history of civilizations, at the meaning of progress, at the way we understand the notion of “transition” and “transformation.” This fit in well as a follow-up to the Transition Paris events I had attended on Saturday.

Every evening, there was Place to Brief – a live web-streamed TV show hosted primarily by Anne Sophie Novel and Joe Ross with help from other “correspondents” and many amazing guests. Since my French is a bit rusty and there were not always enough English-translation headsets to go around, I sometimes missed some of the content, but it was still interesting to sit in on these briefings with my climate colleagues.

I was fascinated by the corps of young female bloggers who, every briefing, sat on the floor against the walls of the room typing away. I admired their ease at doing live posts as the briefings were unfolding. With so much happening every day, I was pleased just to get out a few Instagram, Twitter, and Facebook posts while in Paris. This past week confirmed for me that I subscribe to the “slow blogger” movement.

Rob Hopkins showcasing local currencies

At two of the TV briefings early in the week, I was in luck as several of the special guests were not only English speakers, but people whose work on climate change I greatly respect: On Monday night, Rob Hopkins of The Transition Network was fittingly brought in for the day’s theme of transitions and transformation. He was paired up with John D. Liu, who has a project entitled the Environmental Education Media Project and Barbara Glowczewski an anthropologist with the French National Scientific Research Centre whose work focuses on the indigenous people of Australia.

The conversations with these guests were mostly upbeat, recognizing the problems but focusing on solutions and the need to move forward. Rather than giving a full play-by-play of the briefing, I will share some of the inspirational comments from each of the guests:

Barbara Glowczewski stressed that we should pay closer attention to indigenous cultures since they have of years of experience that we can learn from. When asked what she thinks is the most fundamental, basic organizing principle for humanity, she replied, “It’s sharing.” In response to the question of what has value in the indigenous communities she studies, she noted that “songs, dance and storytelling are exchanged according to a system of law. You give them to someone else and they can then be transformed from generation to generation.”

John Liu: “In our current economic system, the things that are bought and sold are given a value but our natural resources are not. We’ve devalued the source of life. In order to have another outcome we’re going to have to move to this recognition that things are really happening. We need to understand these things and act on a planetary scale.”

“We can now look and see that climate regulation, fresh water, soil and water with zero pollution, biodiversity – this is where the real value is. And everything that’s ever been made [by humans] is worthless and ends up on the trash heap. If we were to base human economy on ecological function, than all human effort would go toward conserving, protecting, and restoring ecological function on the planet. And that’s what we need to do to have a regulated climate.”

“What is wealth? Wealth is not having more stuff but having more time so we can work less and spend more time with our families and friends. We need more time so we can have lemonade under the fig tree.”

Anne Sophie Novel and Joe Ross (on the left) listening to John D. Liu speak with Rob Hopkins at his side.

Rob Hopkins: “Early on [when starting the Transition movement] one of the most patronizing things someone said to me was ‘ Well you aren’t going to change very much with just a few community gardens.’” [Note: there are now over 1,000 Transition Initiatives worldwide.] We chose the word transition because we need to think about getting from where we are to where we need to be. Like a good permaculture design project, we design a process that removes as many obstacles as possible so that people can get the work done that they want to.

In response to the question: “ How do you go about empowering people?” Rob responded: “One way is that we recognize that as climate activists that we don’t just tell people about how terrible climate change is without giving them ideas of how to take a part in making things better…If you collapse people’s world view you have to stick around to help them pick up the pieces. We try to invite people to step into something and one of the ways [we do this] is by telling them stories about people like themselves.” [He then shared a couple stories from his new book 21 Stories of Transition which I had heard even more highlights from on Saturday night at a Transition Paris event.)

Rob Hopkins showcasing local currencies from Transition Network Towns in the UK. Yes, that is David Bowie on the Bristol pound note.

Rob Hopkins showcasing local currencies from Transition Network towns in the UK. Yes, that is David Bowie on the Brixton 10 pound note.

“We used to say that Transition was a response to the energy crisis, to climate change, to the economy. But now we say, Transition is a movement of people who are re-imagining and rebuilding the world. And you don’t always need to start with a problem up front, because what they are doing is sufficiently fantastic all over the world.”
And I have to agree. Despite all the terrible stories I heard while photographing the effects of climate change around the world for The Witness Tree, again and again, I was buoyed by tales of individuals taking steps to better their local world and communities coming together to problem-solve. I hope that our leaders who are making the decisions out at the COP listen to the stories that their delegates have to tell. I am sure they are fantastic.

Day 4: Tuesday, December 1st

monastra_151201_

In the afternoon I went to Gaîté lyrique for an ARTCOP21 roundtable discussion entitled: Culture and the Arts Engage with the Climate Challenge for COP21. The event was co-sponsored by COAL and was part of the opening day of the Summit of Creatives – “an opportunity to review the involvement of the cultural industry and inspire artists to get involved and put culture on the agenda of the negotiations.”

There were eight panelists including poet Kathy Jetnil-Kijiner from the Marshall Islands, Kevin Buckland from 350.org, American climatologist Cynthia Rosenzweig, and Teresa Borasino, Head of the festival Futuro Caliente in Peru (which took place during COP20 in Lima). The discussion revolved around how the cultural industry has had, and can continue to have, an impact on societal transformation.

monastra_151201_4761

Some of the panelists, from left to right: Cynthia Rosenzweig, Kathy Jetnil-Kijiner, Anne-Marie Melster, and architect Anna Heringer.

I was pleased to see Cynthia Rosenzweig, a senior research scientist at NASA’s Goddard Institute for Space Studies, included in this diverse group as I feel it is very important to bring artists and scientists together to help get across the climate message. I had first met Cynthia last June at a Climate sHeros event sponsored by The Human Impacts Institute in New York City and was struck by her friendliness. In this panel discussion, both her warmth and knowledge were apparent. She brought up the important link between science and art and acknowledged, “artists have been talking about ‘transformation’ for awhile and scientists are only now just catching on.” She noted her recent collaboration with Australian visual artist Shaun Gladwell:  A Climate Change Hip-Pop Opera, as an example of how artists and scientists can intertwine their different languages to create a new language.

One of the other panelists, Anne-Marie Melster, co-founder and head of ARTPORT_making waves, was critical of the fact that officials at the COP made it very hard for artists to get involved with the actual conference. “You have to be connected with an NGO in order to get in…They think art is something that is just in museums. They live in their U.N box and don’t look outside of it.” Knowing I would not be able to get in to hear the actual COP negotiations was something that had originally deterred me from planning to come to Paris. But once I realized how many artists were going to be there making their voices heard through other activities, I was convinced it would be a worthwhile expedition. Ms. Melster was not completely negative. She ended by saying: “Don’t blame the people who don’t know about the arts. We can try to inspire them.”

I know I was inspired by this panel discussion and learned about some very engaging art projects including Artport and one called “The Blackmarket for Useful Knowledge and Non-Knowledge.” First started in 2005 by, Hannah Hurtzig, a Berlin-based curator and dramaturge, these one-night events are structured so that visitors can book 30-minute sessions with “experts” of their choosing (“natural scientists, craftsmen, artists, philosophers, and neighbors”) allowing them to visit a variety of people and topics during the evening. There was one held in Paris, on November 21st, as part of ARTCOP21. This 18th edition of the Blackmarket exchange and the first one to be held in France, asked visitors to bring a gift to give to the experts they wished to speak with instead of the usual symbolic fee of 1 euro. Subtitled: On Becoming Earthlings, several dozen experts met with visitors at the Musée de l’Homme and discussed “what does it mean to live in the Anthropocene?” I really wish I could have attended this event but even if the topic is not focused on the climate, I hope the Blackmarket makes it to New York one day soon.

One of the creative organizers of Place to B, drawing a map of the world on the wall.

One of the creative organizers of Place to B drawing a map of the world on the wall.

Meanwhile back at Place to B, my home away from home for the week, the topic for the day was: How can scientists talk about climate change differently? A new social contract between scientists and society is needed. Its purpose? Produce more engagement with climate policies.

At the Place to Brief live TV show that night the featured guests were Naomi Klein – author of This Changes Everything and scientist James Hansen whose book, Storms of My Grandchildren, along with Bill McKibben’s The End of Nature and Eaarth provided some of the early inspiration for my Witness Tree project. Also on the docket were Nicolas Hulot, Didier Pourquery, Ghislain Bardout, and opera singer Barbara Hendricks.

Naomi Klein and Nicolas Hulot.

Naomi Klein and Nicolas Hulot.

Each of these guests were very emphatic about the fact that things need to change now. We must stop burning fossil fuels – not only at the rate that we currently are – but at an even more reduced rate than has been proposed by many of the countries at COP21. The window of time that we used to talk about as our safety net (IE – we have until 2050 to reduce emissions) has closed in on us. If we want to reduce the warming to a maximum of 2 degrees Celcius (3.6 degrees Fahrenheit) as scientists have has stated is the only way to keep things in check, we must sharply curb emissions. Hansen, in a slideshow presentation entitled: Climate (In)Justice and Governmental (Dis)Honesty argued that at this point we don’t need “cap and trade” but an actual carbon tax to be levied against the oil, gas and coal companies.

monastra_151201_4802

Hansen worked for NASA for 46 years before retiring in 2013 to be able to become a more vocal climate activist. “As a government employee, you can’t testify against the government,” he said in an interview with the New York TimesI had already been planning to hear him give a presentation later this month back in New York, so it was a treat to get to meet him (albeit briefly) that night at Place to B even though it turned out to not be my only encounter with him during the week.

COP 21 Paris: Recap #2

Day 2: Sunday – November 29th

I learned that in lieu of the Climate March, which had been cancelled by city officials after the ISOL attacks on Paris on November 13th, there was going to be a “Human Chain” of climate activists this morning. On a website I found that listed the event, it stated that the chain would begin at 1 but when I arrived around 12:15 at the end of Le Boulevard Voltaire, the chain was already mostly broken up having actually started around 11:30. (Apparently organizers did this to fool the police.) But many people lingered still – some chanting, others holding signs, while a group of angelic “climate guardians” from Australia floated silently through the crowd.

monastra_151129_4657

monastra_151129_4617

Some climate monsters?

I walked down Le Boulevard Voltaire as far as the Bataclan theater, the site of the worst massacre. Police had barricaded off the street in front of the club preventing anyone from getting too close, but flowers, letters, poems, photographs, and candles adorned a fence of the park opposite it. The band that had been playing that night – Eagles of Death Metal returned there to play last night (December 8th) after being invited to perform with U2 in a show of solidarity.

monastra_151129_4633

The Bataclan Theater

 

monastra_151129_4645

Another memorial near the Bataclan that marked a street corner where more killings occured.

Another memorial near the Bataclan that marked a street corner where more killings occured.

monastra_151129_4643

 Although I missed the actual "Human Chain" I was touched by this drawing whose words translate to: "We are the strongest"


Although I missed the actual “Human Chain” I was touched by this drawing whose words translate to: “We are the strongest”

The mood here was very somber, reminding me of the days after 9/11 so I decided to turn around and follow the crowd back to Place de la République where I knew there was another memorial, but where I sensed the spirit of the group would be more hope-filled. And it was. I spent time some time talking with some of those gathered: artists, activists, moms, kids, and monks. Most everyone was there in support of the climate talks. I was enchanted by a twosome that had umbrellas decorated with crocheted flowers attached to their bikes. I stopped them to ask about their project: Faites une fleur … au climat.

Sara (left) and Fabienne

Sara (left) and Fabienne

Fabienne told me that she and Sara (plus another partner who could not be there that day) came up with the idea of asking people to crochet simple flowers from recycled yarn in order to raise awareness about climate change. I told her about a similar stitching project I was thinking about and we agreed that we should try to stay in touch and do something “across the ocean” that would connect our ideas and projects. She expressed concern over the ISOL attacks but seemed hopeful that something positive would come out of the COP21.

Elsewhere at République, dozens of pairs shoes that had been neatly placed out earlier in the day to represent those who could not/would not march were now gathered in smaller batches around the plaza. (Some estimates state that there were over 10,000 pairs laid out at the start of the day.) Someone had lined several pairs up in the street and some of these shoes were now getting run over by cars that were trying to get through the activists
who were now dancing and singing in the street.

monastra_151129_4693

I thought it was a bit ironic that this car had the words - "Free like air" painted on its side. I did not catch why.

I thought it was a bit ironic that this car had the words – “Free like the air” painted on its side although I did not catch to what it was alluding.

monastra_151129_4685

Activists with signs that read ” State of Climate Emergency” and “Heads of State – Act for the Climate”

monastra_151129_4703

The memorial at Place de la Republique

Although I saw that police and their vehicles were stationed at the ends of the roads that led into the square, the atmosphere remained more joyous than boisterous for another hour or so. I noticed some protesters coming down one side street and as I went to photograph them, they covered their faces with scarves; they seemed of a different ilk than the climate activists that I’d been chatting with.

Around 2:30 as I was starting to head back to my hostel, I saw the police moving in closer to the crowd followed by their vans. I could tell things were going to take a turn and decided to keep walking. When I searched the news an hour later I saw that there had been clashes with the police. I was sorry to hear about the conflicts but at least pleased to see that French President François Hollande did not blame us climate activists. Some locals told me that the people I saw covering their faces were most likely there to protest the “police state” that had been enforced after the ISOL attacks.

monastra_151129_4736

The police and some Sunday shoppers who seemed oblivious to what was happening across the road in the plaza.

That evening at Place to B, the hostel where I was staying, more climate activists had arrived and were meeting and greeting one another over beer and wine and some live music. This hostel was going to be our home and resource center for the next week (or two weeks for some). I formed a quick kinship with my two roommates: Kelly, a professor of analytic psychology from Illinois, who was in Paris to assist in the making of a documentary film about a climate activist, and Lavinia from Romania, who is getting her masters in Environmental Philosophy at Keele University in England. Although we all had different schedules during the week, it was encouraging to end each day sharing stories of our daily experiences and hopes for the coming weeks of the COP.

 

COP21 Paris: Recap # 1

Six months ago when I mentioned I was planning to go to Paris for COP21, many people had no idea what I was talking about (“You are going to a conference about cops?” Cops is American slang for the police). A month ago when I told people I was going to the 21st Conference of Parties climate negotiations most had now heard of the COP, but the response was one of envy that I would visiting the “City of Light.” But after November 13th, when I told people I was traveling to Paris soon, many expressed concern and asked if I was still going.monastra_151204_4915

The ISOL attacks around Paris on November 13th were senseless and have left many people in shock. There has also been a terrible backlash against Muslims and refugees that I find mind-boggling. Thus, I felt it was even more important to come to Paris with climate activists from around the world who are committed to work together, in peace, over an issue that is affecting all of us, albeit some more than others. By the very nature of climate change, no one country or culture will be left untouched, so we must work as a collective whole to try to change the course of our future.

As an artist, since I did not have any affiliation with an NGO, I did not have access to the actual negotiations in Le Bourget, a town just outside of Paris. In fact, when I arrived in Paris, I learned there are many who were originally granted permission to be observers, but since the attacks, those numbers were drastically cut back. Apparently cIty officials want to keep a cap on how many people will be congregating for the talks. I presume this is to limit the chances of another terrorist attack, but it is a shame that so many stakeholders with great knowledge and experience will not get to directly be a part of these talks. I heard that one NGO that had planned to bring 70 delegates had their number cut to just 14!

The COP21 meetings are still going on in Paris until the end of this week and I wish I could have stayed until the end. Even without having access to the inner “blue” circle of negotiations (a designation defined by a blue lanyard on one’s name tag) there were so many other related events that I would have liked to participate in. Still, in the time I was there, I met many concerned citizens, climate activists, and even a scientist I greatly admire, that it felt well worth what seemed like a quick visit. Since I had so little downtime while I was there, I just took notes and photos and decided to write up fuller posts highlighting each day’s events and will publish them over the next week.

For me, going to Paris feels like an apt culmination to my Witness Tree project. Although I will continue to document the effects of climate change, I have grown increasingly more interested in focusing on community-based solutions than the problems. My new project is focusing on permaculture and The Transition Network (TNT) and I will write more about it as the project progresses.

Day 1 – Saturday November, 28, 2015

With that project in mind, it seemed fitting that soon after arriving I ran into Albert Bates, an American permaculture instructor  who invited me to join him at an event hosted by the group Transition Paris. I had met Albert in September at the International Permaculture Conference in the UK (IPCUK) where I exhibited photographs from my Witness Tree project. In Paris we were both staying at Place to B – a headquarters of sorts for over 400 climate activists from around the world. (more on this in future posts)

monastra_151128_4507

Thomas Munier, one of the local Transition organizers

 

The Transition Paris event was being held in a former electrical distribution facility that was being used as studios by a group of artists. It was a wonderful space both inside and out. One of the artists welcomed us and mentioned that they would be losing the space at the end of the year as it was going to be turned into a movie theater. It seemed a shame since the artists did not keep this cool space to themselves but often let groups like the Paris  Transition Network use it for community-based events. monastra_151128_4528

monastra_151128_4462

This French branch of TNT had planned a day of presentations and workshops around such topics as Recycle with Creativity, Transition in Big Cities, and Creating Better Infographics. The crowd was a mix of young and old, ex-pats and native Frenchmen and women.

monastra_151128_4542

One of the younger participants who was doing his own “research” while I chatted with his mother Alice Leroy.

Most of the workshops were being conducted in French so I chose to sit in on one about Infographics which was being facilitated by a British woman.

monastra_151128_4471

The Infographics workshop with Albert Bates in the foreground.

monastra_151128_4452

The highlight of the evening was a presentation by Rob Hopkins, a professor of permaculture who helped initiate the first Transition Town in Totnes, a community of 8,000 in Devon, UK. I had first met Rob at the IPCUK and spoken with him again when I visited Totnes after the September conference. Rob was in Paris to promote his new book, 21 Stories of Transition: How a movement of communities is coming together to reimagine and rebuild our world. 

monastra_151128_4553

Etienne Lecomte and English translator Corinne, introducing Rob Hopkins. Both are very active in planning Transition events in Paris

monastra_151128_4590

Rob Hopkins presenting one of the 21 stories to a full house.

monastra_151128_4574

monastra_151128_4585

 

Rob was joined by some of the people whose communities were featured in the book including Jeanne-Claude Mensch, the mayor of Ungersheim, a village in the Alsace region of France, and a couple from Belgium (left) who helped plant community gardens on concrete blockades (shown on the screen behind them) that had been installed to cut back on traffic in the red light district.

Although my jet-lag crept up on me and I was unable to stay for the closing party of the Transition event I was excited to meet so many locals who were already involved in community projects and, like me, were hoping that COP21 would yield some concrete results and no blockades at the negotiations.